The Plug'n Play: March (19)

You can listen to the full playlist on Apple Music, Spotify, or Tidal

March felt like a month that just kept on giving, musically. From the beginning - like March 1st, beginning - March came with some special releases, starting with Solange’s When I Get Home. Over the course of the month we saw releases from Christian Scott aTunde Adjuah - Ancestral Roll Call, Kari Faux - Cry 4 Help, a star studded lineup from Shafiq Husayn - The Loop, and countless others. March also featured a couple of promising singles from some upcoming albums by Anderson .Paak and Tame Impala, respectively.

Below are some of our favorite songs from the month and a bit about why we love them. Side A, songs 1-10, were selected by me, Stanley, and Side B, songs 11-19, were selected by Kevin. We hope that you enjoy the playlist, find a song you like, and dive into an entire album!

Kevin: Kiefer - Cute

Basically as soon as I found out about Kiefer and was trying to play my “I know underground music” card, he starts produces for big names like .Paak- so that was that. But who needs words! The beats that he produces/creates are some of the most well-fused jazz, hip-hop, R&B sounds out there. The EP drops this year with some new eyes and ears, let’s see how it propels him. 

Stanley: Justus West — Control

I first found out about Justus West through Instagram while randomly scrolling through the music section of my explore page. It was obvious that Justus was a talented guitarist and musician, but what wasn’t as obvious was his songwriting and singing capabilities. Earlier this month Justus released his single, Control - a slow burning, introspective song that features a Justus’ compositional capabilities and melodic ear.

Kevin: Shafiq Husayn (Featuring Hiatus Kaiyote) — Cycles

Is your third eye open today? If it’s not, listen to Shafiq Husayn! Honestly this album has it all. Great features, incorporation of funk, soul, hip-hop and much more. This song is one of many that are well worth the listen. It does sound like a Hiatus Kaiyote leftover from their album “Choose Your Weapon” but that’s not a bad thing. 

Stanley: Phonte (Featuring Devin Morrison)— Beverly Hills

If you’ve listened to Little Brother or The Foreign Exchange the you know Phonte is one of the most talented artists around. His latest offering, Pacific Time, a 4-song EP featuring BOSCO, Kaytranada, Lalah Hathaway, and Devin Morrison, is filled plenty of the things that make Phonte unique: quality bars, harmonically driven chord progressions, and soulful vocals. This song, in particular, Beverly Hills, is reminiscent of 80s R&B, with a LINN drum backed beat, and Devin Morrison’s stacked vocal harmonies.

Kevin: Gavin Turek — Elevator

I’ve never done much research on Ms. Gavin Turek but I think that’s about to change. The other day I found myself having a good amount of her songs saved. Her sound has a retro feel to it and almost makes me want to dance, it’s infectious lowkey. This is as far pop as I would go and not feel like the musical integrity is being comprised. Definitely waiting for the LP.

Stanley: Solange — Sound of Rain

When I did my first run through of Solange’s When I Get Home, Sound of Rain was the song that really stuck out to me. I honestly love everything about this song, the chord progression, Solange’s ad libs and harmonies, and of course Pharrell’s production.

The Plug'n Play: February (19)

You can listen to the full playlist on Apple Music, Spotify, or Tidal

Below are some of our favorite songs from the month and a bit about why we love them. Side A, songs 1-10, were selected by Kevin, and Side B, songs 11-19, were selected by me, Stanley. Hope you enjoy!

Stanley: Jennah Bell — John Forbid

I’ve been waiting on Jennah Bell’s album since her Anatomy EP in 2015. Finally, after four years, Bell released Anchors & Elephants. This song in particular, John Forbid, is one of my favorites from the album. Bell’s songwriting is incredible, as she tells the story of idealistic, yet dumb, young love. And, the slow, yet steady, pacing of the brushes on the snare, coupled with Bell’s singing and guitar playing, make the song feel as if its rocking you.

Kevin: Tierra Whack - CLONES

A Tierra Whack song that’s longer than 1 minute? You know I had to put this jawn on here! I’ve come to the realization that I’m a huge Whack fan and the being from Philly part isn’t even the driving force (okay maybe a small part). I love her flow, vocal tones/inflections and content. She got it.

Stanley: Eric Gales — It Just Beez That Way

Eric Gales is a guitar player’s guitar player and a throwback Bluesman. A Memphis native, Gales is steeped in the tradition of the Blues. Thematically, It Just Beez That Way is classic Blues material: a woman has put a spell on Gales and he can’t figure out what it is that’s happened to him. Gales asks his father, how could this woman smell so good, and be that bad? And in reply his father says, it just beez that way.

Kevin: Omar Apollo — Ashamed

I know next to nothing about this guy to be honest, but ever since my girlfriend sent me a track of his, I’ve been in the tank. This track really gave me some Prince vibes and that’s always a good thing. Maybe one day I’ll google him and learn some backstory.

Stanley: Gary Clark Jr. — The Guitar Man

Gary Clark Jr.’s most recent album, This Land takes the artist down more experimental paths, musically and topically. There’s some trap elements, classic Texas Blues reminiscent of Lightnin’ Hopkins, some Rock, and a lot of Soul. The Guitar Man places Gary Clark Jr. in a pleasant middle ground between Soul, Funk, and the Blues.

Kevin: Lucky Daye - Real Games

This is another guy that just randomly came across my radar and I’ve become a huge fan of. He fills my R&B appetite quite nicely. The production is top notch and the bass lines are always flames. This track is off the second EP in his ongoing EP series apparently-here’s hoping a part III drops soon. 

The Plug'n Play: January (19)

You can listen to the full playlist on Apple Music, Spotify, or Tidal

Below are some of our favorite songs from the month and bit about of why we love them. Side A, songs 1-9, were selected by me, Stanley, and Side B, songs 10-19 were selected by Kevin. Hope you enjoy!

Stanley: JustFrenchie — Philly

I’m immediately in on any song that has “Philly” in the title or is about Philly in anyway. This song in particular — Philly — by JustFrenchie is a love letter to the city, highlighting her upbringing in West Philly, remaining true to the foundation the city has laid for her, and the simple, yet beautiful, things about the Philadelphia. Musically, it sounds like Philly, too. Not the Atlanta sounding “Philly” (i.e. super-trappy music made by an artist that has moved to Atlanta). Rather, it sounds like the music you’ll hear at jam sessions. I appreciate that. AND THE HOOK IS SUPER CATCHY.

Stanley: Gold Shades — Angeline

I met these guys — Gold Shades: Julian Booker, Gary Clark II aka Stello, and Marlon Booker — during college in 2011. They each play at least three instruments (conservative estimate), respectively, produce, and arrange their own music. It’s been really cool to watch their growth as artists, and I’m super happy to see the release of their self-titled, debut LP. Gold Shades’ Angeline is probably my favorite song from the album. Even more than the song I played on lol. Angeline captures the nostalgic feel of 80s Rock, but in a fresh way. The way the kick drum and bass guitar are in synch with each other, the [vocal] harmonies, and the towering hook all make for an incredibly well composed song.

Stanley: Summer Walker — Grave

I love live music. There’s a magic in hearing instruments in an uncompromised state. A [very] close second for me are live recordings. Last week, Summer Walker continued her hot streak, releasing a 4-song EP, CLEAR recorded live in a tree house. One of my favorite songs from the EP, Grave, was co-produced by my good friend Larry Lambert (Keys), and features another homie Remey Williams (Drums), and Stox (Bass). If you know Larry, which in some way you will soon, you know that this song has his hands (literally) all over it. It’s the Philly sound exported. From the synth intro to the halftime outro, it’s undeniable that he had a role in making the music for the #1 album on the Apple Music charts.